In this game, you are the thief who's aim is to take valuables from the American president during his visit to Albania.... (more)

In this game, you are the thief who's aim is to take valuables from the American president during his visit to Albania. President salutes the crowd, and that is your opportunity to take as many souvenirs as you can  (close)

The third and final installment of the $100 million "Resident Evil" hits, "Resident Evil: Extinction" is again based on the wildly... (more)

The third and final installment of the $100 million "Resident Evil" hits, "Resident Evil: Extinction" is again based on the wildly popular video game series and picks up where the last film left off. Alice (Milla Jovovich), now in hiding in the Nevada desert, once again joins forces with Carlos Olivera (Oded Fehr) and L.J. (Mike Epps), along with new survivors Claire (Ali Larter), K-Mart (Spencer Locke) and Nurse Betty (Ashanti) to try to eliminate the deadly virus that threatens to make every human being undead... and to seek justice. Since being captured by the Umbrella Corporation, Alice has been subjected to biogenic experimentation and becomes genetically altered, with super-human strengths, senses and dexterity. These skills, and more, will be needed if anyone is to remain alive.  (close)

Video shot, and edited by George Zelasko at Side Splitters Comedy Club in Tampa, FL. Material written, and performed by Andrew... (more)

Video shot, and edited by George Zelasko at Side Splitters Comedy Club in Tampa, FL. Material written, and performed by Andrew Burnette.  (close)

The satire of pre-Oscar nomination buzz in Hollywood is far and away the broadest comedy Christopher Guest and his improvisatory... (more)

The satire of pre-Oscar nomination buzz in Hollywood is far and away the broadest comedy Christopher Guest and his improvisatory company have made. Despite its abundant merriment, it is also the flimsiest, and unlike Mr. Guest’s earlier films has no airs of being a fake documentary. As farce trumps satire, the humor’s subversive edge is lost, along with meaningful character development except for the brilliant exception of Catherine O’Hara. — Stephen Holden, The New York Times  (close)